Archive for the ‘Visual Art’ Category

Interview: Ian Carpenter

Monday, August 31st, 2009

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I am intrigued by Ian Carpenter’s paintings; landscapes that morph into creaturely forms, arresting blocks and swatches of acid bright colour, these works will take you on an emotional journey into spaces where stories are woven. Let’s join Ian and learn some more about his work.

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Tell me us little about yourself, the media you work with and your creative process.

“Well I have a natural inclination towards the creative process and I find paintings to be a good outlet, a great medium for myself. I find working with gouache at the moment (I’ve worked with oils and acrylics too) with wood board a spontaneous way of creating and the way the colors mix and react with the wood itself. Sometimes I work without any plan and paint as I go along but lately having a predetermined idea of what I want to do has been my creative guide.”

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From where do you draw your inspiration: music, books, people, nature etc?

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“Music, so many things, just today I’ve been listening to Tortoise again, great ambient and jazzy sonic textures and now I have some sad ol’ Wilco song drifting through my head, so yes, songs can help out in terms of a painting’s atmosphere when one is painting. Nature plays a part too obviously – I like landscapes, from the Fauves to the American Tonalists to De Stael to various artists of our time. People, well, hm, I’m not much of a figurative painter of late. I’ve studied Classical Drawing and have rendered the human form in many ways (paint, pencil, charcoal), but in the last few years I’ve focused on nature and abstract forms – why is that – I don’t know – maybe just living in New York City I get enough of human beings and human interaction daily, ha.”

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If you could talk briefly about the background to one of your pieces which would you choose and why? Tell us the story behind the piece.

“For example Bánh Hỏi Weather (above), I had that Vietnamese dish on my latest birthday and being a foodie (and an artist), just putting that dish into a landscape seemed fun to me – and maybe the thoughts of growing older influenced me to put stormy clouds in there, something greyish and forlorn overlooking tasty sustenance – and again everything is regenerative so nature provides/nourishes the food we eat then we or I live on to experience another day – or more specifically in this case – to paint another day. So looking at this painting again I’m getting that meditation from it and a colorful one at that.”

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You can find Ian here:
Blog
Coming soon to:
Artquiver

Ian tells me that he is planning to open an Etsy shop at some point in the future. Do let us know when your shop is up and running Ian, thanks so much for joining us today and sharing a little corner of your life with us. What is it about Tortoise’s music that creates such vivid mental imagery? When I was going through an “I’m going to be a filmaker” phase I plotted out a cinematic journey to Standards. Sadly my film was never made!!!
I have a plush related interview coming up soon, in line with my all new super-relaxed attitude to blogging I can’t say when. But soon kittens!

Latest Crush: Mari Andrews

Friday, May 15th, 2009

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I am supposed to be filling in my Dad’s tax return for him this morning, instead I have been lost in the work of Mari Andrews (found via The Storque). This is really incredible work. Here is a snippet from Mari’s website:

My work has evolved out of years of drawing and obsessive collecting. Through sculpture I weave these two actions together. Wire, pine needles, branches and other linear material carry on the drawing practice while moving the work into the sculptural realm. Time spent gathering, cleaning and storing of collected objects, whether they are man-made or natural, allows for a kind of wonder and intimacy with each object. This gleaned information is crucial while combining materials to make new, hybrid forms.

Structures of all kinds from cellular and mineral to plant and skeletal, inform the work. The pieces become a collaboration of materials and intention, with the materials often altering my concept and practice of working. Various temporal and delicate objects I elect to work with often mirror our human sensitivities and vulnerabilities…I transform the materials used in these sculptural drawings to bring attention to fragile and often fugitive objects that might otherwise go unnoticed.

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Hop over and immerse yourself in all this beauty. Now on with the number crunching-urgh!
Mari Andrews
The Storque